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Christian dogmatics --- Patrology --- Philosophy --- Christian theology --- anno 1-499 --- anno 500-799 --- anno 1500-1599 --- Christendom --- Christianisme --- Eucharistie --- Theologie --- Théologie --- Lord's Supper --- Lord's Supper (Liturgy) --- History of doctrines. --- Histoire des doctrines --- Liturgie --- Academic collection --- 265.3 --- #GGSB: Sacramenten --- #GGSB: Eucharistie --- 265.3 Eucharistie --- Anaphora (Liturgy) --- Liturgics --- Communion --- Eucharist --- Holy Communion --- Sacrament of the Altar --- Blood --- Sacraments --- Sacred meals --- Last Supper --- Mass --- History of doctrines --- Liturgy --- Religious aspects --- Christianity --- Sacramenten --- Lord's Supper - History of doctrines.

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Altarpieces --- Altarpieces, Medieval --- Retables --- Retables médiévaux --- History --- Histoire --- Altars, Medieval --- Liturgy and art --- 726.593 --- 75:726.593 --- 247.2 --- Altaren --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Altaar. Tabernakel. Retabel. Ambon --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 726.593 Altaren --- Art and liturgy --- Art --- Medieval altars --- Medieval altarpieces --- Liturgy --- Religious architecture --- anno 1200-1499 --- anno 1100-1199 --- Altars [Medieval ] --- Europe --- Congresses --- Altarpieces [Medieval ] --- Altars, Medieval - Europe - Congresses --- Altarpieces, Medieval - Europe - Congresses --- Liturgy and art - Europe - Congresses

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Récemment encore confinée dans le cercle des spécialistes, l’histoire de la liturgie et de ses grands livres constitue pourtant un domaine de recherche d’une grande richesse non seulement pour le théologien et le liturgiste, mais aussi pour l’historien de l’art, l’archéologue, l’anthropologue et tout chercheur en sciences religieuses en général.Cette synthèse sur plus d’un millénaire d’histoire des sources liturgiques occidentales se veut en même temps être un véritable manuel d’introduction à leur étude. Un chapitre détaillé est consacré à chaque type de livres, spécifique d’une forme de célébration (messe, rituel, office) et attribué à un acteur précis ans la liturgie (pape, évêque, diacre, moine…). Le passage crucial de la pratique orale à l’utilisation du document écrit a été souligné dans chaque cas, de même que l’illustration des livres liturgiques.Deux chapitres complètent ce panorama. En guise d’introduction figure un aperçu historiographique de la discipline, des érudits des XVIè et XVIIè siècles à nos jours. Un chapitre final développe les rapports que peuvent entretenir histoire médiévale et liturgie, en indiquant les voies de recherche nouvelles et en soulignant la fécondité d’une approche interdisciplinaire.

Christian church history --- Christian pastoral theology --- anno 1200-1299 --- anno 500-1199 --- Agenda (Liturgical books) --- Altar books --- Collects (Prayers) --- Communion liturgies --- Eucharist [Liturgy of the ] --- Handschriften [Liturgische ] --- Liturgical books --- Liturgies and rituals --- Liturgische boeken --- Liturgische handschriften --- Liturgy of the Eucharist --- Liturgy of the Lord's Supper --- Livres liturgiques --- Lord's Supper [Liturgy of the ] --- Manuscrits liturgiques --- Menologion --- Responses (Liturgies) --- Rituals and liturgies --- Service books (Liturgical books) --- Liturgics --- Church history --- Liturgie --- Eglise --- History --- Histoire --- 264-1 --- 091:264 --- Liturgische boeken--(algemeen) --- Handschriften i.v.m. liturgie --- 091:264 Handschriften i.v.m. liturgie --- 264-1 Liturgische boeken--(algemeen) --- LIVRES LITURGIQUES --- OFFICE DIVIN --- MESSE --- CHANT GREGORIEN, PLAIN CHANT, ETC. --- CHANTS MEDIEVAUX --- BIBLE. A.T. PSAUMES --- EGLISE CATHOLIQUE --- MARTYROLOGES --- HISTOIRE --- MOYEN AGE --- CELEBRATION --- LIVRES DE PRIERES ET DE DEVOTIONS --- CRITIQUE, INTERPRETATION, ETC

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The meanings of the noun ‘creation’, and the verb ‘to create’, range from the traditional theological idea of God creating ex nihilo to a more recent sense of the process of artistic conception. This collection of thirteen essays, written by scholars of music, literature, the visual arts, and theology, explores the complicated relationship between medieval rituals and theology, and the development of an idea of human artistic creation, which came to the fore in the sixteenth century.The volume concentrates on the period from the Carolingians to the Counter-Reformation but also includes some twentieth-century musicians. Each essay is dedicated to a particular topic concerned with ritual or artistic beginnings, inventions, harmony and disharmony, as well as representations or celebrations of creation. Central themes include the interplay of the ideas of God as creator, of God acting and recreating in medieval liturgy, of God as artist—the deus artifex of the Pythagorean cosmology, which was occasionally referred to as recently as the early nineteenth century—and, finally, of the homo creator, a concept in which man reflected (and eventually replaced) God in his artistic creativity.This book therefore features new, significant, individual contributions from a range of scholarly disciplines, but, taken as a whole, it also constitutes a complex interdisciplinary study, with large-scale historical constructions.

Art --- Christian theology --- Religious studies --- anno 500-1499 --- Creation dans la litterature --- Creation in literature --- Schepping in de literatuur --- Creation (Literary, artistic, etc.) --- Liturgy and the arts --- Creation in art. --- Creation in literature. --- Création (Arts) --- Liturgie et arts --- Création dans l'art --- Création dans la littérature --- History --- Religious aspects --- Christianity. --- Histoire --- Aspect religieux --- Christianisme --- 930.85.42 --- Cultuurgeschiedenis: Middeleeuwen --- Creation in art --- Philosophy --- Philosophy & Religion --- Aesthetics --- Christianity --- 930.85.42 Cultuurgeschiedenis: Middeleeuwen --- Création (Arts) --- Création dans l'art --- Création dans la littérature --- Arts and liturgy --- Arts --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Creation --- Creation as a topic in art --- Religious aspects&delete& --- Godsdienstwetenschap --- Christelijke theologie --- Kunst --- Creation (Literary, artistic, etc.) - History - To 1500. --- Creation (Literary, artistic, etc.) - Religious aspects - Christianity. --- Liturgy and the arts - Europe - History - To 1500.

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This first volume catalogues the notated office manuscripts collections of the libraries and private archives of Averbode (Onze-Lieve-Vrouw and Sint-Jan de Doper Abbey), Dendermonde (Sint-Pieter and Paulus Abby), Geel (Archief Sint Dimpnakerk), Ghent (Universiteitsbibliotheek, Rijksarchief, Museum voor Schone Kunsten, Bisschoppelijk seminarie, Archief van de Sint Baafskathedraal) and Tongeren (Onze-Lieve-Vrouwebasiliek, Stadsarchief). The aim of the "Antiphonaria" series is to catalogue all collections of notated manuscripts for the Office, following a combined format of RISM.

Antiphonaries --- 091:264-17 --- 091 <493> --- 091 <493> Handschriftenkunde. Handschriftencatalogi--België --- Handschriftenkunde. Handschriftencatalogi--België --- 091:264-17 Antiphonaria--(handschriften) --- Antiphonaria--(handschriften) --- Book history --- Liturgy --- antiphonaries --- Tongeren --- Geel --- Averbode --- Ghent --- Diest --- Dendermonde --- Music --- Gregorian chants --- Manuscripts --- Catholic Church --- Texts --- Catalogs --- Belgium --- Antiphonaries - Manuscripts - Catalogs --- Antiphonaries - Belgium - Flanders - Manuscripts - Catalogs --- Music - Manuscripts - Catalogs --- Music - 500-1400 - Manuscripts - Catalogs --- Gregorian chants - Manuscripts - Catalogs